Liam Gallagher has weighed in on the backlash surrounding the cost of tickets for Harry Styles’ upcoming disco-themed tour, after prices for some shows climbed beyond €300, sparking widespread criticism online.
The controversy erupted earlier this week as tickets went on sale for Harry Styles’ six scheduled shows at Wembley Stadium in London. While the former One Direction star has not announced any Irish dates, many fans from Ireland had planned to travel to the UK for the concerts — plans that were quickly thrown into doubt once pricing details emerged.
Hundreds of thousands of fans queued for tickets when sales opened on Monday, with frustration mounting as the first wave of prices became public. Social media was quickly flooded with complaints from fans who said the cost far exceeded expectations, particularly once premium packages and early-entry options were factored in.
According to the listings, Disco Standing tickets were priced at £279.45 (€321.97), while the Kiss VIP package reached £468.45 (€539.73). Other VIP options ranged from £333.45 (€384.18) up to £725.45 (€835.84), with even front general admission standing tickets coming in at £198.95 (€229.22). While lower-priced tickets were available initially, many sold out almost immediately, leaving fans facing only premium options after hours in online queues.
As the backlash gathered pace, Liam Gallagher took to X to comment. In an apparent response to the ticket prices, he posted simply: “HOW MUCH”, before further winding up fans by joking that he had bought 20 tickets and intended to resell them “above market value.” The remarks were widely interpreted as tongue-in-cheek, but still added fuel to the debate.
HOW MUCH
— Liam Gallagher (@liamgallagher) January 26, 2026
Gallagher’s comments followed an earlier dig at Styles that surfaced before the pricing controversy went viral. When asked by a fan if he had listened to Harry’s new song, Gallagher replied: “Yes I’m sick of it.” Despite the bluntness, the two artists have previously appeared on friendly terms, with Gallagher’s remarks largely viewed as characteristic provocation rather than a serious feud.
I have 20 there not cheap
— Liam Gallagher (@liamgallagher) January 26, 2026
The discussion around ticket prices has struck a chord in Ireland, where concertgoers have become increasingly vocal about the rising cost of live music. With no Irish dates announced for Styles’ tour, fans are facing not just ticket prices but the added expense of flights, accommodation and travel — pushing the overall cost well beyond reach for many.
Gallagher’s involvement in the debate is particularly notable given his own recent experience with pricing backlash. In 2024, fans and politicians alike criticised the use of dynamic pricing during ticket sales for Oasis’ Croke Park shows. While tickets initially started at €86.50, they sold out almost instantly, leaving many fans who had queued for hours only able to access platinum tickets priced at up to €415.
That episode sparked renewed scrutiny of Ticketmaster’s pricing structures, with accusations that demand-based pricing was unfairly penalising loyal fans. The controversy continues to shape public discussion around concert affordability in Ireland, especially as stadium shows become the norm for major artists.
Despite the uproar, there is little doubt that Harry Styles’ Wembley shows will sell out. Styles remains one of the most commercially successful pop stars of his generation, with previous tours selling out globally and demand remaining exceptionally high. Alongside the six London dates, he is also expected to play an extended run of shows in New York, reportedly totalling 30 nights.
The situation highlights a growing divide in the live music industry: while production costs and demand have increased, fans are increasingly questioning whether major tours are becoming inaccessible. For Irish audiences in particular, the absence of local dates combined with premium pricing abroad has intensified that frustration.
As one of Britain’s most outspoken musicians, Liam Gallagher’s comments have once again placed him at the centre of a wider cultural debate — not just about Harry Styles, but about who live music is really for in 2026.
